The Great Mess Makers

When was the last time you picked up after somebody? (Moms: you don’t need to answer that). For everyone else, was it a co-worker? A visitor? A church volunteer who didn’t finish the job?

I’ve found there is a huge difference between making messes and leaving messes.

The creative process demands that beauty emerge from chaos. Painters make messes, as do sculptors, graphic artists, novelists, builders, and scientists. Even God’s best work comes in the most chaotic moments, from creating the earth to fixing a life-problem.

But if those very same messes are not picked up by their creators, they are left for someone else to clean up.

The same messes that were evidence of genius can become the epitome of disgrace. When we are so consistently negligent that we fail to pick up after ourselves, whether in life or in projects, we not only insult those who follow us but we devalue the creations we set out to make.

It’s even more fascinating to realize the converse is true. And God is the prime example.

Not only did he create mankind, and pick up his mess, but when his creation made a mess of everything, he went so far as to pick up our mess, too.

When we stretch ourselves to pick up messes that aren’t even our own, we actually partake in an unseen glory, often noted only by heaven. It credits you for the good deed done, but also of being worthy of the created entity. Whatever credit a creator loses in their failure to pick up after themselves, the cleaner obtains in participation.

Jesus said in Luke 16:12 that if we’re faithful with that which is another man’s, we’ll be entrusted with that which is our own. Long before I co-owned restaurants, the Lord asked me to start picking up public bathrooms when I saw they were a mess. It was nasty. And I didn’t know why I was doing it. But the first time I picked up toilet paper off the floor in my first restaurant, it all made sense. I had been in training for this moment. It’d been a test.

For the Kingdom-minded person, their is no job too small. My senior pastor will vacuum the hallway just as easily as he’ll preach on a Sunday. There is no difference because it’s all service, and it’s all noble. It all affects people; souls are the common denominator.

The high road in the Kingdom is two-fold: do your best not to leave messes for someone else to pick up, and be eager to clean up someone else’s messes when you find them. The Lord knows I’m at fault here too, and so grateful for all those who’ve picked up after me throughout the years.

Who knows, you may just be preparing yourself for owning a business you’d never thought possible. ch:

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Spheres of Influence

Spheres of influence.

We each have one. Probably more than one.

And each sphere is a culture. A set of unspoken nuances, rules, and behaviors that differentiate it from other cultures.

And you’re in it. You’re in it to bring Jesus and aspects of his character into the middle. Sometimes subtly and over time. Other times abruptly and within minutes.

Calls and cultures cannot be compared. It’s a dangerous game to get involved in. Some people will influence thousands in their lifetime; others will influence one. But the measuring stick isn’t necessarily volume: it’s faithfulness.

I won’t be asked if I was diligent to affect your cultures. Just my own.

I serve at New Life with an amazing team of creatives. Designers, fabricators, and all around hard workers. Visionaries.

Part of my call to Jefferson County is to slowly, over time, help teach a community to appreciate art. Things that aren’t easily explained with simple metaphors because their impetus was to provoke unique emotions in each individual. Not to draw parallels.

In creating the “Refresh” stage set for October – drawn by Jason Clement, sewn and set by Kathy Fahey, and rigged by Zach Yelle and Daniel Gilchrist – some will see joy. Others will be inspired. Some will wonder. Find fascinating. Stir memories. Be provoked.

But regardless of meaning, memories, or metaphors, I hope people find it beautiful.

For beauty is a mark of the Kingdom.

And she doesn’t need a reason.

She simply is. Because God likes beautiful things.

Just because.

So what are you being faithful to? What are the many-faceted, multi-layered, underlying missions that burn in your heart? Who are the people you’re reaching, the themes you’re living out, the calls your answering?

When you can, be specific. Intentional. Write it down, pray over it, act on it. Ask yourself what you see your cultures looking like after your time serving within them is done.

Don’t wait for someone else to do the job God assigned you to do. ch:

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Project’ing

My parents said that, as a boy, I had a new project every day.

It’s amazing to me that how we function as children we often function as adults. Hopefully more maturely.

I feel so blessed that I have a place in my professional life that demands my very best creative abilities every day.

Today I was thanking the Lord for the opportunity to imagine, design, and create stage sets for a church that embraces and celebrates the arts. It’s a privilege to communicate truth through the wonders of design.

Today my cart was full of goodies from Lowe’s. I joke with the staff there because I rarely use the materials in that store for their intended functions.

I suppose the more mature version of myself was trading Legos for Lowes. ch:

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Rise of the Dibor Cover Art

So as you probably read from yesterday’s news about Spearhead Books, things are getting exciting for our tribe in the post-publishing world.

But you also probably saw a glimpse of Rise of the Dibor’s cover. So I thought I’d give you a little clearer look today.

There are a few more tweaks to be made, but this will at least give you a solid idea of what’s to come.

While I originally thought a warrior (a Dibor) should be on the cover, the whole reason the Dibor were formed was to confront the Dairne-Reih. The Miller Bros took this to a other level by suggesting that a statue-like figurine, eluding to legendary history, be center stage. And so a stone Dairneag was decided upon as the best fit for Book I.

I like the change-up from the first edition in 2006, which was more classically romantic, and think it brings a fierceness and intensity to the cover that it lacked perviously.

I owe a big thanks to Chris & Allen Miller for the concept design, and Jason Clement for the TWLC logo branding.

With the interior design getting wrapped up today, and the cover tomorrow, I’m hoping Amazon’s CreateSpace gives me a ship date by late next week.

Again, thanks for your patience gang. Enjoy the torture a little more; it’s almost done. ch:

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The Contextual Success of Art

Beauty is in the eye of the beholder. Or so they say. But when the beholder has a bum eye? What then?

Obviously one of the hardest things about art is that is it subjective. Unlike math, with all its absolutes, in art, what is beautiful to one is not so beautiful to another.

Unless of course, you are God.

There is no possible way I could even begin to understand what art is beautiful to God and what is not. Sure, I could project my own opinions on Him, and maybe even hit a few dead on. But to truly know what pleases Him artistically would be a rather unimaginable process to say the least. And you can be sure, God indeed likes art. For a good talking-to on that subject, might I suggest Art In The Bible by Dr. Francis A. Schaeffer.

But while His thoughts on the subject might be elusive, He has given us a means to begin to tap them. As Christians who are connected to God through the Holy Spirit, we have a rare opportunity to tap into the divine nature of Christ, used not only for the redemption of our sinful selves, but also for the display of His glory. And collectively speaking, this gift is a responsibility of the Church. The Body of Christ.

Today we stand on the shoulders of those Believers who have gone before us, those who pioneered the way into a place of cultural influence. And while there are pot-shots I could take at the Christian artistic community, particularly the CCM community, they are mostly derived from personal railings, do not reflect a Christ-like attitude, and subsequently do absolutely no good in advancing the cause of the Kingdom. There is only one Accuser of the Brethren and I have been convicted as of late to distance myself from finger-pointing lest I be counted among his number. As the Body of Christ, we are called to encourage one another and I refuse to throw the savage beasts of manipulation and gossip one more piece of meat from another Christian brother or sister in the name of self-righteousness. A Religious Spirit masks its motives of superiority in the guise of a passion for purity and excellence; the Spirit of God displays its power in those who are flawed and consistently in need of grace.

Why such heavy words when speaking on the subject of art all of a sudden? Because whenever I or anyone else is about to analyze the current state of affairs with regard to a current paradigm in the Christian world, it is of paramount importance that we do so with a sobriety of thinking. And if it smells of anything other than grace, let it not be said at all. I’ll let you be the judge.

In the past three decades, specifically in the world of music, we have seen a massive surge of Christian artists promoted within a Christian record industry. And it has been received, even cherished and revered, by the American Christian community. The current populars have their tour routes and loyal fan bases all set up. And honestly, I’m thrilled for them. Christians are being encouraged and the lost are being saved.

But a significant portion of the Christian music industry is a Christian response to a secular product. No stone throwing here, just an analysis of the past 50 years. Long before Christian artists started drawing crowds as far back as the ’70′s in my parents’ day, their was Led Zeppelin, Three Dog Night, Pink Floyd and Santana (yes, he really is that old). When Christians were finally able to gather at large events that promoted Jesus but still used concert staging, massive speaker towers, and dancing, a new “context” was born…an artistic context that would shape the next thirty years of a new paradigm. Christians who bought Christian branded products. Music. Books. Even clothing. And in doing so, segmented themselves from the greater world-culture.

As I’ve illustrated before, one only needs to hit Time Square in NY or Pier 39 in San Fransisco with a clipboard and a pen and ask people on the street a few questions. First, ask if they’ve ever heard of Chris Tomlin or Third Day, then ask them if they’ve ever heard Steve Morison or U2. Contextually, Christians have created a huge amount of success…among themselves…but not among the world as a whole.

Art that stands out in its own context is always deemed “new” or “cool” or “the next most amazing thing.” But it does not last the test of time because its success is based upon the supporting presence of its context. It is only cool because of its proximity to other expressions that represent the status quo; once those standards are forgotten, the art, too, becomes a bygone. Sure, people will have their memories forever imprinted with “our song” or “remember the first time we heard that?” But relative to a global influence, the kind that we have access to now afforded by technology, it will be just another 3-minute-wonder-song made for Christians.

So am I saying I don’t like Christian songs or books? No, I do like them; in fact I create them. And I’ll be among the first to tell you that they have their place, encouraging the Body of Christ and even reaching the lost. But what I’m talking about is an even higher goal. A new paradigm, if you will. Something that will require us to lift our gaze higher than we’ve grown accustomed to.

We need to start creating art within a new context.

I hear a clarion call erupting from somewhere in the heavenlies, summoning the Artists to the forefront of humanity. I feel new giftings being awakened, new concepts that mankind has never thought of before emerging, new means to promote by those in places of power, position and wealth, and new methods being tapped which will stun centuries of orthodoxy. These Artists are not simply song writers or painters or writers, they are Divine Dreamers, dancers who tap the movements of God and photographers who are in prophetic locations at opportune times.

There is a whole new standard being raised, an entirely new level of expectation for those that are in Christ. Not that we simply copy what the world has created, making a Christian version of their style, but that we transcend the human unction and speak with a heavenly one.

And why all this importance on the arts, you say? First of all, why not? If there is art to create, why not let those who have come face-to-face with the meaning of their existence set the pace? But secondly, throughout my travels across the globe, I have found that art has a direct bearing on a culture’s overall perception and quality of life, as well as their connection to the divine. Create beautiful things and you will be drawn closer to a beautiful God.

Lastly, I am tiring of bloggers who rant, even with purpose, and then give no suggestions on “what to do about it.” As you will recall from my earlier postings on blog etiquette under Ranters Beware, I believe that blogs are a powerful tool that need to offer practical steps for change, not just be a person’s personal whine portal for the masses. That being said, I think there are a few very simple, down-to-earth things that we Christian Artists must start doing.

1.) Get Alone With God. If we are bound in our relationship to God through prayer, then receiving divine ideas will come only through time spent with Him. If God’s heart is to continually transmit His heart to humanity, to truly bring heaven to earth, then we must discipline ourselves to get alone with Him. There is no excuse for time in His presence, no substitute for relationship. Ideas that grip mankind and shake the heavens will come through no other means.

2.) Perfect Your Gift. God will not anoint what you do not set apart to Him with reverence. And when we revere something, we are dedicated to making it the best we can. Do everything within your immediate means to better your God-given talent. Study. Learn. Apprentice. Invest. Practice. And then do it all again. If there is always someone out there “better than you,” then you should never stop applying yourself to excellence.

3.) Join With Those Around You. I have really come to adore the Body of Christ in recent days. While many Christians I meet are hell-bent on pointing fingers, “alerting,” “guarding,” and tearing one another down all in the mask of “being a watchman,” (which is actually completely opposite of a real Biblical Watchman’s job), I have fallen in love afresh with the Father’s invention of the Bride. He seems to think pretty highly of her, not because She is perfect, but because She is imperfect. Because She is in constant need of Her Bridegroom. And in that same way, we Christians are in need of one another. This should be yet another harbinger of things to come as the world’s system always says, “You don’t need anyone else but yourself,” God’s Kingdom system says, “Not only can’t you do this alone, but I’ll resist you if you do.” One of the best things I ever did for my writing career was to get together with other writers. No writing group in your area? There wasn’t for me either. So I found one other friend and started one. Now we’re four strong. The fellowship and loving critique I have found has greatly increased the product of my proverbial pen (because it’s a keyboard now).

4.) Affect The Culture Around You. Sure, I want to change the world, too. And I believe I will. But first, God has called me to affect the culture I live in. For me, that’s Northern New York State. God has planted me and my family in Jefferson County and I plan on dominating it for Christ. Yeah, you heard me. Dominating. I’m not sure where it became politically incorrect to use such terminology, but it’s high time we start taking back our God-ordained role to bring the Light of Christ to our regions. This means affecting every aspect of the culture. As Artists, I believe it’s much easier than we think. Find those around you throughout the Church of your region (not the specific church you attend) and start encouraging one another and promoting Godly work. Start an Artists Guild and meet regularly. Have a time of corporate worship and bring in a guest speaker. Then break off into your respective disciplines and put your works on display, share about them, critique them, and combine your efforts. Come up with strategies to beautify your area; donate paintings to banks and other businesses in your region; write songs for your county and sings them in church, or buy time on your local radio stations and let the radio declare them over your county; create new animations or advertising and put them up in your local movie theater (we have gotten a number of new church members through Cinema adds!); choreograph dances or plays and put them on in the local community colleges or rent out a venue; put art in the newspapers, or better yet, create your own newspaper or website! I was just in Tacoma, WA and heard of some Christians (visit Beautiful Angle) that hide a limited number of prints of their newest work in undisclosed locations throughout the city once a month; it has a huge thing now in the city to the point that if you can find the art, it is a collector’s item! The possibilities for you to affect your region’s culture are absolutely endless!

5.) Allow God To Open Up The Nations To You. I believe that scripture is true; if we are faithful with few things, the Lord will make us ruler of many things (Matt. 25:23). Notice the two distinct points of emphasis in that scripture. The first is that we must be faithful in something; those are the first four points I just offered up to you. But the second part is that God Himself does something. He exalts. He glorifies. That’s His part. I am absolutely convinced that old machines and locals of Christian production are being usurped by pockets of Christians who are being faithful to affect their regions for Jesus. In doing so, He is making them epicenters of productivity that will shake the nations. There is a new wineskin before us, brought about not only by advances in technology, such as the internet, computer aided audio & video recording and graphic design, but by a prophetic drive in the Father’s heart to express His Divine Nature to His Creation. For such a time as this.

So I call out to the Divine Dreams of my generation. Come out of hiding. Stop living under rocks. Prophets were never meant to live in caves. The Holy Spirit is calling us to be creative and strategic. This is your day. Do not compare yourselves to the status quo. Your art is to be affiliated with that of a different breed, a divine context, a sound that all the nations will know is Christ-like. Change the priority of the content that occupies your valuable heart-space, and fill your spirit with the songs of the King. This is your day to fly.

CH

CSFF: Lisa Bergren Interview Part 2 – Day 3

ch-ichat-logo.png Before I get to the final portion of my interview with Lisa Bergren, discussing The Begotten, first of The Gifted trilogy, I wanted to make a comment about yesterday’s portion of the interview.

As most of you may have noticed, Daria is Lisa’s main character. Yup. Daria–a woman. At the risk of sounding extremely sexist, which I am clearly not, having the utmost respect for my incredible wife and all the woman who have helped mold and shape my life, I must say that I can’t remember the last time I felt so connected to a leading lady.

I want my sword fights. I want my blood splattering, intestinal spilling, wound gashing heroes of old!

But a lady?

As Lisa said yesterday (doing her best to keep is a secret from her husband), she had crushes on her warriors her warriors in this book. And Daria would be no exception for me. Hi, Jenny! (waves sheepishly)

But the way in which Lisa painted the picture of a noble woman surrounded by a host of valiant knights did equally as good a job at hooking her familiar female audience as it has her new male one. Perhaps as a man it was me yelling at Gianni and Hasani to keep track of her, not letting her out of their sight, frustrated when Daria went off by herself and upset when she was nearly killed.

You got me, Lisa! I’m now a chick-lit pansy.

Without further delay, here is the rest fo the story…

CH

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CH: I thought it was neat how you named two characters after the old man you met on the plane (as per your acknowledgments); any other instances of that?

LB:
Not that I remember. I usually just go through an international name book and choose names that “feel” right for the character in my mind–and hopefully are ones that readers can pronounce!

CH: Sites you’d recommend for people to see when visiting (for me, really!)? lol

LB: When you go to France, go kayaking under the Pont du Gard and stay in L’Orange on the square in Avignon–a wonderful city with a huge, papal palace. Venice…we talked about a couple of my favorite stops–but go to a Vivaldi concert in one of the old churches (held most evenings) and go one street away from the Grand Canal and you’ll find some great trattorias (for half the cost). Tuscany…consider a rental at an agriturismo, a farm house, where you can cook your own food and absorb what it really feels like to be in Tuscany. Florence–you have to go to the best trattoria ever, Il Latina, in the north quarter. Amazing steaks 3″ high and fun waiters and family-friendly atmosphere. But just go to Florence for a day or two and by train! I think the best of Italy is really outside the cities. Ah, but Roma…wow, I could spent a couple weeks there. Check out the Beehive–cheap place to stay, which is hard to find there. But you’ll want to spend all day walking/exploring anyway. ContextRome has great historical/political tours that helps you put everything together. Be sure to check them out.

Okay, you convinced me. Forget ContextRome. I’ll go back with you and play tour guide. Our travels have so inspired us, we’re building a family travel web site. Check it out at www.familytripster.com. Every time a person posts a report thru April, they get a chance at a whole set of my books, retail value $170 and a year’s subscription to BUDGET TRAVEL magazine! We’re just populating the site now, so we’d really appreciate everyone jumping on and at least posting a paragraph or two on their home town under “A Local’s Advice”: http://www.familytripster.com/tripadvice.html (all you need is one picture you want to share that shows a bit of your home town) or “A Perfect Day in…” Come on over and check it out!

CH: Where are you going next?

LB: My next series is an 1880s trilogy set in Colorado–so I’m currently staying closer to home (I live in Colorado Springs). But I have sea-faring warriors and pirates on my brain, so we’re heading to Nevis, in the West Indies, as soon as the kids are out of school, with a few days on an island off of Puerto Rico too. After that, we’d love to explore Ireland (we could hang in a pub together!) or cruise the Nile or see the amazing peaks of Patagonia. So much of the world to see! Such a sad state for the American dollar! Please buy my books, faithful readers, so I can go see more! It will undoubtedly inspire me to write more…

Thanks for the opportunity to share, C!

LTB

CSFF: Lisa Bergren Interview Part 1 – Day 2

ch-ichat-logo.png So anyone that knows me knows that if I am comparing something to Stephen Lawhead’s work, somthiing I don’t think I’ve ever done on this blog before, it means I like it a lot. It’s a pretty big deal around these parts.

And Lisa Bergren’s The Begotten, the first of a trilogy called The Gifted, is a pretty big deal.

From chapter one, she tapped my love for church history especially during the time of the Inquisitions. Set during the time of the Iconoclasts, the book opens with two very haunting scenes; one of an illuminated Bible being sentenced to burning, along with its creating priest, and the very next of a valiant band of knights chasing a child-sacrificing sorcerer through the catacombs beneath Rome.

If that’s not enough to hook you, I don’t know what it.

The book so captured my imagination that I couldn’t help but write Lisa. And to my surprise, not only did she reply, but agreed to do an interview for you all!

I’ll post the second and final segments tomorrow. Enjoy!

CH

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CH: What cities in Italy (and elsewhere) did you find of particular interest, especially when crafting The Begotten? For instance, did you spend time in Siena? Likewise, how did your actual visitation of those areas play a part in shaping your novel?

LB: I did a ton of in-depth historical research on politics, daily life, etc, and “coffee table gift book” research for visuals of Italy. I had the rough draft written before I went the first time. But there’s nothing like actually being there…The novel begins in the ancient Christian burial grounds that were truly “lost” for 500 years–very cool to be able to explore the catacombs for myself!

And I realized the piazza (plaza) outside the Duomo (church) in Siena was totally different than I had it pictured–much smaller and oddly shaped, so it impacted what transpired there. And being able to walk the streets, pick out several key buildings as those that appear in The Begotten–marvelous. Siena has one of the coolest piazzas in Italy–shell-shaped and with bands of brick that represented the Nine, their governing body. When you go, be sure to climb the campanile (bell tower)–marvelous views over picturesque, rolling green hills.

Six months later I returned to Venice with my eldest daughter (11), and we spent ten days largely exploring twenty different churches, looking for the peacock in the mosaic floors–an ancient Christian symbol (adopted from pagan mythology) for everlasting life, and also my heroine Daria’s family crest and part of the whole trilogy. We learned that Venice really began on a tiny island called Torcello (another must-see) and that the church across from Venice called San Giorgio, once was toppled in an earthquake. You can see my on-location research more clearly in that book, and was a fab mother/daughter experience to boot.

Six months after THAT (I know, I know, my life is SO hard!), we returned with the whole family and my parents too for a Rome-Tuscany-Venice trip, and then I went on to France. The trilogy’s climactic ending takes place in France (where the pope set up shop for 70ish years) and then back in Tuscany at an abandoned church with it’s own amazing sword-in-the-stone legend that predates Arthur.

CH: Your knowledge of their ancient economy, specifically the guild system and its politics, seems to be very thorough. Inspiration?

LB: Necessity more than inspiration. At the time, Tuscan cities were hugely political and constantly battling one another–the reason for all those big walls and towers. And since Daria is a woman before her time–with means and education–she had to be born of the working class or nobility. I liked that fringe of wealth…and the gifts–as well as pressures–that applies for a person. For instance, both Daria and her “uncle,” Vincenzo, are in dire need of an heir to pass along their family fortunes. The guild and politics of the day gave me tons of opportunity for temptation and sin and heartache and all the fabulous pathos of a great novel. In all my novels, the actual research gives me texture for the characters. Love that.

CH: You have some pretty cool warriors in The Begotten–Hasani and Gianni especially. Did you do any research on knights while overseas or was it just shooting from the hip?

LB: Oh, I love a good, classic hero, and these boys certainly fit the form–I fell a little in love with all of them (but don’t tell my hubby). I certainly had the men of LOTR-on-film heavily in my mind when I began. There wasn’t a lot of research to be done–mercenaries were common, given the politics of the day. But this was before the jousting/court era that we think about, so like so much of my “medieval historical mindset,” I had to toss out what I thought I knew and get back to the basics. It was much more primitive, not so glorious as what most of us think about when we think “medieval.” But the foundation was being laid for what we have in our collective consciousness.

(To be continued…)

CSFF: Lisa Bergren and The Begotten – Day 1

Disclaimer : Normally I like to have attractive looking headers, authors pics and images of the book covers for my CSFF Blog Tour posts. However, my server is acting up and we’re researching a bug so you’ll have to do without them this time around. In the mean time you can see Lisa’s beautiful face and book covers on her website. Thanks for your patience!

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Lawhead fans, this one’s for you…

So when I slipped The Begotten out of the shipping envelope onto my kitchen table, I immediately thought, “Oh no. Another Da Vinci Code wanna’ be.” The cover seemed too perfect and the name, Lisa Bergren, was unfamiliar. But as before (with Andrew Peterson’s book ), I could not bear to let myself be waylaid by falsely judging a book by its cover. So I flipped open to the author bio on the last page…

“‘Millions of books in print’?” I read aloud. “How come I’ve never heard of her?”

After jumping on her website I realized why; the majority of her 20+ other books are all for women . Not my preferred genre.

But while browsing her bio I noted her self-proclaimed love of travel and the resulting inspiration to write The Begotten. Italy. France. Israel and Egypt. “Hmmm…” That at least got me thinking that anyone who loves ancient Europe and the Middle East has got their head screwed on straight (as far as I’m concerned).

“And if she’s a successful author with years of experience in the publishing industry,” I went on to muse, meaning it must be well written (especially if Penguin/Berkly is pressing it), “…and this is about Christians in the pre-middle ages, the arts, political unrest in the church and a face paced adventure novel with a Christ-centered focus…”

Suddenly the light went on. “This is my kind of book!

And boy is it ever.

I devoured this one from the first to the last page. Not since Lawhead have a I loved a fictional/historical work so much. Knights, gifts of the Holy Spirit, mystery, intrigue, love triangles, the occult, political upheaval, amazing settings, castles, guilds, conspiracy and so much more…

…this book is everything The Da Vinci Code wanted to be, but never could be. (Because Brown forgot about the real Jesus).

Tomorrow I’ll explore more about her writing and introduce the first part of my interview with her.

Lisa, well done.

CH

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