The Cotter Ring: seemingly mundane, apparently important

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I didn’t waste any time putting my boat back in the water for the 2012 season. Even though I haven’t actually sailed her in the last month, getting her ship-shape is often just as therapeutic.

Among this year’s upgrades were replacing the halyards and sheets (we call them lines, never ropes), and purchasing a mint condition main sail from 1978.

As I was getting the rigging squared away over the weekend, I took extra care with one of tiniest items on my boat.

The Cotter Rings.

These little buggers are nothing more than an overlapping circle of stainless steel wire. They’re essentially weightless in your hand, which means they’re easy to drop, and once in the water – bye bye. They’re fairly inexpensive, and probably the last item anyone thinks of when generically thinking of sailing hardware.

And yet, they’re indispensable.

What so fascinates me is that my boat weighs as much as both of my vehicles put together. Her super structure endures thousands of pounds of pressure, harnessing potential energy within vacuums created through the Bernoulli principle, into kinetic energy that’s translated to a lead encased steel keel buried deep in the water producing directional momentum.

In the face of overwhelming natural forces that could literally break a person in two, enter the Cotter Ring.

They’re all over my boat.

They bear almost no critical weight, go almost completely unnoticed, and once I set them for the year, I never touch them again.

Yet without them, I can’t sail.

They hold the Cotter Pins in position at the fixture points of my main sheet blocks, without which I’d have an utterly functionless sail system.

They hold the Cotter Pins in place that anchor the massive aircraft-steel cables to the deck; those cables are called stays and they keep the 29′ aluminum mast aloft.

As I began to look around, I realized that these little rings – as mundane, inexpensive and unnoticed as they are – are just as essential to my sailing season as the glorious sails that get all the attention.

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As people it’s easy to compare ourselves to others, those that are seemingly more impressive, more impressionable. We look at what they have and then at what we have; we look at what they can do, and then at what we can do. But in my discovery of the Cotter Ring’s significance, I realized how endearing this little piece of metal was to me, the Captain of the ship.

The game was never for the sails to impress the mast, or the hull to impress the lines. The game has always been to serve the Captain. The Captain finds just as much pleasure with the seemingly mundane as he does with the apparently important. And keeping his perspective in mind is the key to not loosing our perspective.

To the Cotter Ring, the main sail is for more impressive; but to the Captain, both are equal in their value of accomplishing what He first set out to do: enjoy life.

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Reallocating Energies

I’ve decided to move my creative energies from daily blogging – a habit which began last July – toward a few more demanding projects that need my immediate attention.

I still plan on posting regularly, but the frequency will be determined by availability netted from progress made in other areas.

This daily-run, which has been the most consistent writing of my life, has been a tremendous benefit personally, helping me grow in my use of words and in articulating my thoughts. Likewise, I believe many of you, my faithful readers, have been encouraged in some way.

In staggering my posts, I hope to craft even better content, giving each piece the time it needs to be written. Likewise, I’m moving into some seasons of renewed productivity that will demand the best of my creative energies.

To name a few:

• Finishing and formatting The Berinfell Prophecies Book 3

• Pursuing 3 new possible restaurant openings

• Launching of Sprig Records studio and record company

• Recording Jennifer’s next full-length album

• Writing and producing for New Life’s first live worship album, as well as CHB’s next project

• Completion of book 1 of my new upcoming series, as well as development for books 2 and 3

I also plan on taking considerable time off in the next few months to enjoy summer in the 1000 Islands. This will include a lot of time sailing on the river with The Hopper Kids, and Jennifer and my first “kid-less vacation” in 8-years.

For those who faithfully read here, I’d appreciate your investment of prayer into everything listed above; your support and encouragement mean a great deal to me.

Here’s to seasons of rest, and renewed productivity.

The best is yet to come.

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The Heroic 100

The Sykes Super Send-Off

I’m not sure the last time I asked my readers to give money to something.

Perhaps never.

Unless the shameless plugging of my books counts. Then I’m über guilty.

This week I’m asking 100 of my readers to contribute to the future of one of the most amazing families I know: Ron & Val Sykes.

When I say one of the most amazing, I mean most amazing. I’m probably not permitted to share everything I know about their insanely selfless actions, as they’d be frustrated with the limelight. But it’s true.

From sacrificially purchasing and giving up real-estate for the benefit of others, to being constantly on-call to teens in need, to having children of their own who beautifully require unusually high amounts of love and attention, to wearing more than one full-time hat in a church with part-time pay, Ron & Val exude the selflessness of Christ in a way I’ve rarely witnessed.

And I’m honored to call them friends.

Almost ten years ago I was in need of a bass player. When asked, Denis Johnson Jr. replied, “Well, he’s actually a concert pianist, but he can play a mean bass, too. Give Ron a call.” Within a few gigs, he’d endeared himself to me and became my go-to man for all things low end. (Meant in the basst of ways). Little did I know Val would also travel with CHB to put music in motion with her worship dancing.

Where’s the plea for money you ask?

Ron and Val are taking a much needed hiatus from the demands of life in Rochester, NY to spend 1 year at IHOP in Kansas City. I believe it will be an incredible time to invest in their children, distance themselves from a city that constantly gets their best, and spend time ministering to the Lord and his people in a truly artistic way – Ron as the consumate musician, Val as the ever-elegant dancer, and both as pro-family heroes of the faith.

So I’m asking you, one of my heroic 100, to pick one of their smart Perks Packages and invest in this Godly family. Watch their video. Read about what they’re doing. If you’re a young person, ask your parents to come over to the computer right now and pray about what your family can contribute. I know Jennifer and I are.

Be one of my Heroic 100. Invest in real people affecting real change for the Kingdom in the earth today. Heaven is watching, and God doesn’t blink at what you sow.

As a special gift to the first 100 people that give to the Sykes at any level, I’ll send a personal mix of acoustic worship songs performed by Jennifer and me that we’ve never released. In fact, they’ll be recorded just for The Heroic 100. You’ll need to email me here once you’ve purchased your Perk Package on their website.

Thanks for reading. Thanks more for investing.

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Down But Not Out

The server for my website has been intermittent for most of the day, so I was never able to post what I wanted to. Accordingly, what I have to say is too important to go up this late in the day, so I’m saving it for tomorrow to get a full day’s exposure.

And trust me, it’s important.

So please stop by in the early morning. I advise you, if you’re in the heroic 100, to have your heart and your wallet ready.

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It Feels Like a Crossword Puzzle (Worship Song Writing with Brenton Brown Day 3)

Today wraps up my third and final day of posting notes taken from the worship song writer’s workshop I sat in on with master song writer Brenton Brown. Of his three points, this was his shortest, but poignant nonetheless.

In fact, I’ll leave it worded exactly as he delivered it.

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It Feels Like a Crossword Puzzle

Sometimes writing a song is like trying to fill out a crossword puzzle. Which I suck at. The puzzle says, “Name a five-letter word for a flat service.” After drilling my brain for hours, I decide there simply is no such word. Then in desperation I walk around the house asking people, “What’s a five-letter word for a flat service?”

Table.

Man, what didn’t I think of that? Because I wasn’t really dedicated to hunting the word down. I just wanted it easy.

Stop rhyming the last word in a stanza with praise, and name, and grace – there are other words out there that work. Please hunt them down! Work at it!

‘Nough said.

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RISE OF THE DIBOR free today on Kindle

Been wanting to read RISE OF THE DIBOR but haven’t taken the leap? Then you can download it for free today on your Kindle-enabled device here.

Already have it? Please help me and re-Tweet or Facebook or Google+ or Instagram (pic?) it to your peeps:

RISE OF THE DIBOR is free today on Kindle! tinyurl.com/6r77dkm

Thanks readers!

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It Feels Like Preparing a One Point Sermon (Worship Song Writing with Brenton Brown Day 2)

This is a continuation of my 3-day series on notes taken from Brenton Brown’s workshop on worship song writing at CMS in Buffalo, NY.

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It Feels Like Preparing a One Point Sermon

Songs are short. They use 100 words to make a point.

What’s the main point of your song, and the reasons (sub clauses) for the main point? How tightly argued are the successful songs you know/write? The reasons behind them?

How well a song is received is determined by how strong and concise an argument it makes.

-Brenton Brown

To lead people in prayer you need to give them a clear prayer.

Find out what’s not being said doctrinally around you. Because you’re actually responsible for teaching them doctrine in your songs. And even more severely:

People remember your songs long after they remember your sermons.

-Brenton Brown

Ask your teaching pastor where your church is lacking. Writing worship songs shapes the way people think about the Lord – it’s a teaching role.

The first gift of the Holy Spirit at Pentecost was to communicate with people in their own languages. Likewise, how are you pursuing trustworthy communication?

Writing a worship song is composed of three core elements:

1.) Have something worth saying.
2.) Say it in a way people will understand.
3.) Say it persuasively.

Don’t waste one word.

As you come out of a verse, just before you sing the chorus to a song you’re writing, say, “And that’s why I want to say…” Then you’ll have your chorus.

-Brian Doerksen

The song Here I Am to Worship has 11 sub-clauses to support the reason to worship right now.

Repetition also serves as a type of sub-clause.

Example: let my life revolve around you, be my focus, be the center, be the most important thing in my life. All saying the same thing, just different ways of saying it.

The Koran is not allowed to be translated; meanwhile Pentecost opened up Biblical (and dangerous but potentially powerful) re-interpretations.

David Wilcox (folk music writer) tries to fill 3 legal pads with a single theme of thought.

Storytelling worship songs are difficult to write, and not popular in pop music (almost exclusively in country, however). But they’re extremely effective. To work in worship, they must encompass a universal theme (Example: I Coming Back To The Heart of Worship: first the music faded, then You searched deeper, now I’m coming back, etc).

Universal themes are essential. During a particular songwriting competition we held back in England, we had one great entry that had a bogus ending: “God you’re amazing / Your power is awesome in the place / You heal your people / And my cousin Dave.”

How to chose your topic? Yes, some songs flow Pentecostally and just “happen” to us; but others we must labor over. Start to think about your songs as you would a sermon: it makes it easier. Like Alister McGrath said about writing sermones, at a certain point in writing a song you’re going to have to study.

Lastly, try lowering your goals as a writer. For example, yes, everyone wants to write a collection of songs in a week that are worthy of recording on a CD; but how about just vowing to write one good song a year – one song you’re really proud of and that stands on it’s own. Now that’s a solid goal.

It Feels Like Fishing (Worship Song Writing with Brenton Brown Day 1)

I had the privilege of sitting in on Brenton Brown‘s workshop on “worship song writing” this weekend at the CMS event in Buffalo, NY. He’s known for writing such memorable choruses as Your Love Is Amazing, Lord Reign In Me and Holy Holy Holy.

Aside from appreciating Brenton’s ability to articulate profound truth with effortless means both with regard to Christianity and in teaching song writing, he’s also an extremely personable man. The first time I ever met him, we were sitting in the VIP trailer at Creation, talking about South Africa, Boy Scouts and family. He didn’t know me, and I didn’t know him; only later would I piece together just who he was.

His points on song writing for churches were profound enough that I felt lead to share them here over the next three days. I hope his words are as inspirational to you as they were to me, and that my notes do his talking points justice. I’ve taken the liberty to expound in places in the hopes of capturing what he was saying and eliminating the “chicken scratch” mentality of the moment I wrote this in.

Enjoy. And write well.

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It Feels Like Fishing

Our goal is to help a large group of non-musician people who don’t normally sing at all to worship the Lord with music.

We need to write songs that are easy enough for a large group of diverse people to sing, but interesting enough that people will want to sing them again.

-Brenton Brown

This thing is art. It’s elusive. And songs are like hums:

You don’t find hums, hums find you.

-Winnie the Pooh

To get “found” by a song, you need to find head spaces that inspire you. This is because we’re essentially playing when we make music. It’s important to be in a playful mood when you write. The other head space we write from is pain, brokenness and desperation, and I don’t recommend actively looking for that one.

What things make you happy? What seasons where you most prolifically writing in? Take 30-seconds to think of these things and seasons in your life.

My wife tends to know what mine are better than I do; I love to be around water and to surf. She has always notices that I’m happier when I come home from surfing, and grumpy when I’m not. So she’ll kick me out of the house on occasion to go surf. I tend to write a lot of my songs while I’m sitting on the water. It’s a good head space for me. These are your fishing holes. Find good fishing holes.

Other fishing holes for me are movies. I love movies! I’m 4 years old again. I also get inspired by the sermons of Louie Giglio and James MacDonald.

Fishing also has a catch and release element to it. You must work an idea until it’s “done” and then put it away. Let’s songs gestate and mature. This practice ensure only your best stuff will come out. If a melody keeps popping back out and getting stuck in your head, it’s a keeper. If a particular lyric or phrase won’t leave you alone, it’s a keeper.

Stephen Covey talks a lot about the Scarcity Mentality and the Abundance Mentality. The Scarcity Mentality says, “Hold on to the precious, few songs you’ll ever get, and don’t share them with anybody, especially don’t share the credit.” The Abundance Mentality says, “There are plenty of wonderful ideas out there that I’ll discover. I need to share them to bless other people, and to let my ideas get refined, regardless of who gets credit – I’ll always have more.”

Write with the door open.

-Louie Giglio

This open door policy will help gain outside perspective. Anyone can critique a song; my mom can tell me when something sucks. But asking other writers for objective input will build your songs.

What’s makes you feel good in this song? And what makes you feel odd in this song?

-Paul Bloche

Remember that when you’re writing a worship song for people to sing, you’re actually contributing to an ongoing conversation between God and his people. What do people need to say to God? (Prayer). And what does God need to say to his people? (Prophetic).

Take 30-seconds to think about the 3 favorite careers you’d love to have. It’s in these personal states of “favorite” that we find the same inspiration to write out of as artists.

Soul Mates

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I loved having coffee with my best friend this morning. Life with her is so natural it’s supernatural.

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Behind The Scenes

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Yet another of my dad’s (Peter Hopper) fantastic sayings growing up was about touring in the music industry:

It’s 90% grunge and 10% glory.

And about sound engineers and production staff:

If it all goes wrong, you get all the blame. And if it all goes right, you get none of the glory.

And while some of my favorite jobs in both music and church ministry go largely unnoticed, they remain the most rewarding. There’s simply something extremely gratifying about knowing you had a part to play in making an atmosphere beautiful.

The Christian Musician Summit that Jennifer and I recently attended was a perfect example of this. The main sessions were held in The Chapel’s worship center (aka “sanctuary”). The scene people walked into each morning and evening – with anyone from Paul Baloche and Brenton Brown to David Crowder and Christy Nockles leading worship – was what you see pictured above. Nothing short of spectacular. And seemingly effortless.

But being the associate pastor production junky that I am, I snuck in for all the sound checks and asked to poke around the stage. (Geeks are only happy to oblige other geeks). What I saw were the “guts” of these main session events: 5 audio staff, 3 camera operators, 1 lighting director, and at least 4 people in the video command booth up top. Not to mention that the physical framework for any set looks more like a sound stage for Mad Max Beyond the Thunder Dome than a gorgeous worship setting.

The most beautiful parts of our lives are those that have the most people behind them and, if all the lights are shining on them, are actually the ugliest.

So here’s to all the people – parents, pastors, mentors and friends – that know the most unattractive elements of our lives can be quite beautiful when set in the right context.

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Long Day

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[David Crowder's sound check]

Long day at #cmsny.

Too tired to write.

I greatly respect people that do trade shows for a living.

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Mr. Incredible

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Last night I was invited to attend a very nice dinner in Syracuse hosted by my insurance company, Northwestern Mutual (thank you Steve Yelle). Steve Forbes was the keynote (and quite humorous) guest speaker, and the food and company were excellent.

My highlight, however, was meeting Jeremy Freeman, a bright, highly successful business man who found his niche in the physical training industry (check out freemanformula.com).

And for good reason.

He was the most photographed body builder in the world in 2000 and 2001.

Now look closer. Does he remind you of anyone?

If you’re a Pixar fan, he should.

You’re looking at Bob from The Incredibles (2004) computer animated feature.

That’s right, Pixar used Jeremy as their model for their main character – the devoted, but sometimes distracted super hulk, Bob.

If you’re not a Pixar fan, my enthusiasm is probably lost on you. When everyone wanted their picture with Forbes, I wanted mine with Freeman.

And why is my head so much larger than his? First off, I have a big head. You’re welcome. But in order to get my arm under his and around his back, I had to stand out in front of Jeremy.

Ah. Excuse me.

…in front of Mr. Incredible.

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